A new play written by Eintou Pearl Springer on the Orisa Ogun will be part of the programme for this year’s Ogun Festival, a three day festival celebration of the Yoruba deity Ogun at the Ile Isokan compound Niles Trace Febeau Village, Lower Santa Cruz from October 5-7, 2018.
Category Archives: Orisa
On Being a Pagan
My first awareness of Lord Shiva came from the late Iyalorisha Melvina Rodney. She kept a large framed image of Him in the inner sanctum of her shrine, between Ogun’s cutlass and Yemoja’s wooden boat brought with a Yoruba woman to Trinidad after Emancipation.
Behind the disguises of white saints, she had called on the spirits of her ancestors for strength, for healing and wisdom.
On the days I spent in prayer and meditation in Iya’s shrine, I looked into Shiva’s half-closed eyes, and was drawn to that look, that dream state, the dreadlocks, the crescent shaped moon, the drum.
Iya never explained to me why Lord Shiva was there, and I was too young to ask.
One of the few times I talked at school about African spirituality, there was awkward silence and a similar tone of fear and contempt reserved for when the good and saved were discussing Hindus. I understood then why so many of my Hindu friends would stay silent when religion was being discussed.
Pagan was a word that got thrown around a lot.
It was just another word for weirdo. The other, the outsider, the misfit. The one who didn’t belong.
As I got older I realised that I was less interested in belonging and more interested in finding a way to define myself on my own terms.
Much of what I saw as a child started to come back to me in visions, in fragments of memory.
The imperialist imposition of a young white man on a cross continues to dismiss and diminish everyone else’s spiritual consciousness to arbitrary definitions like pagan, heathen, un-saved.
But if to be pagan means to feel connected to nature then I’m okay with that. If to be pagan means to feel a sense of community, a part of a living ecosystem that cycles from unborn to child to elder to ancestor and back to unborn then I’m also okay with that. If to be pagan means looking at the landscape and seeing yourself as part of it, part of shaping it and making it better, then I’m okay with that too. If to be pagan means to see god in your image and likeness then I’m okay with that. If to be pagan is to understand that your mother is your first notion of what god is, then I am okay with that too.
In 2015, after spending the day playing Black Indian, I went to my first Shivratri and finally understood what Iya saw in those eyes.
I can see now how our ancestors shaped their spiritual reality from dreams, from visions, from fragments of memory.
They danced and sang and prayed themselves into this new existence. It was the only way they knew how to be.
And in the same way that quantum physicists claim they can still hear the echo of that first big bang, it is the same way that Lord Shiva’s drumming of creation and destruction still echoes in our consciousness today.
To be pagan means that you live your spiritual reality daily. It means that every molecule of your being vibrates with a frequency that existed before somebody dreamt up Adam.
To be a pagan is to remember your personal divinity. Remember what it was like before people told us how to believe.
And perhaps more important than what they remembered was what they created with that knowledge.
What only exists in this space and time, in this reality. To be an example to the world of what civilisation could be. We can only be stronger by understanding each other. The shame and fear that was and still is associated with both African and Indian spiritual beliefs is part of the shared reality of life in a place like this, that can be so freeing in one moment and so imprisoning in the next.
Our ancestors, our Orisas, our Devas would have it no other way.
In these recession times we are suddenly being told go back to our gardens, to go back to our bush medicines, to heal ourselves with yoga, use drumming to heal mental illness. All the so-called pagan practices have now been repackaged by the west. The neo-pagans are making money from the shame our grandmothers felt for teaching us to make coconut oil.
But there are no accidents in this life. Nothing happens by coincidence or chance and it is not by accident or chance that this place called Trinidad exists. That we are here having this conversation.
That we are learning and remembering our obeah. That we are owning it. Understanding it. Claiming it and ultimately defending it against those who would use our own fears against us.
Presented in April 2016 at Varsha Pratipada Sansad, Chinmaya Ashram, Couva, Trinidad.
Araba of Osogbo Ifayemi Elebuibon to speak at Trinidad and Tobago Isese Festival
Orisa devotees from around Trinidad and Tobago will gather on September 24, Republic Day to observe the first annual Isese Festival – a celebration of this country’s African spiritual traditions.
The gathering takes place at Centre of Excellence in Macoya and starts at 10.30 a.m.
Isese is a Yoruba word meaning Tradition. In recent years there has been a global push to reconnect with non-Western ideas of spirituality, and Trinidad and Tobago has been a leading part of that conversation through scholarly works and cultural exchange between Nigeria, Ghana, Cuba, the United States of America, Brazil and parts of Europe – all of which have seen increased interest and participation in African Spiritual traditions, specifically Ifa/Orisa.
Currently the local Orisa community is in a state of evolution. As the popularity of Ifa spreads, there are concerns about how this will affect our own traditions that have existed for over a century and have informed many social and cultural forms in Trinidad and Tobago.
This is a unique opportunity to interact with practitioners from around country, with a view to strengthening cultural and spiritual ties.
The morning session will include workshops in dance and drumming and a special panel to address questions that people have about Ifa/Orisa beliefs.
The afternoon session includes performances from Wasafoli, The Trinidad and Tobago Orisa Performing Arts Company and pannist Noel La Pierre.
The feature address will be delivered by Ifayemi Elebuibon, Araba of Osogbo, Osun State, Nigeria.
Special tribute will also be paid to Elders of the Orisa community both living and passed on.
The event is hosted by the Council of Orisha Elders in collaboration with the Afrikan Heritage Village Committee and Afrika House.
Entry is free of charge.