DAY of ACTION on the 20th Anniversary of the outrageous executions of writer and campaigner Ken Saro-Wiwa and 8 Ogoni men.
8:00 – 10:30am, VIGIL at SHELL, Shell Centre, Waterloo, London, SE1 7NA
Gather at Shell to demand environmental justice in Ogoniland using Ken’s own words, and mark the lives of each of the Ogoni 9. Called by MOSOP (Movement for the Survival of the Ogoni People) and Action Saro-Wiwa
19:00 (doors open 18:00) , DANCE THE GUNS TO SILENCE II – music, spoken word, performance, DJ. At Rich Mix. £10.00/£5.00 (adv & concs)
Major celebration with performance poets, writers, musicians, and filmmakers, with an introduction by Lazarus Tamana, Coordinator of MOSOP.
Read more about Ken Saro-Wiwa and the struggle against Shell in the Niger Delta here
Music from Virtual Migrants, headliners Bumi and Dele, DJ Tillah Willah, spoken word from Dorothea Smartt, Young Poet Laureate for London Selina Nwulu, Zena Edwards, Sai Murray and the Numbi family.
Plus updates on live events in the Niger Delta. Dance the Guns is a co-production between Numbi, Action Saro-Wiwa and Sable LitMag. Hosted by Kadija Sesay (Sable) and Kinsi Abdulleh (Numbi). Come and make some noise for Ken, whose people are still fighting for justice.
See you there. Book Now.
Orisa devotees from around Trinidad and Tobago will gather on September 24, Republic Day to observe the first annual Isese Festival – a celebration of this country’s African spiritual traditions.
The gathering takes place at Centre of Excellence in Macoya and starts at 10.30 a.m.
Isese is a Yoruba word meaning Tradition. In recent years there has been a global push to reconnect with non-Western ideas of spirituality, and Trinidad and Tobago has been a leading part of that conversation through scholarly works and cultural exchange between Nigeria, Ghana, Cuba, the United States of America, Brazil and parts of Europe – all of which have seen increased interest and participation in African Spiritual traditions, specifically Ifa/Orisa.
Currently the local Orisa community is in a state of evolution. As the popularity of Ifa spreads, there are concerns about how this will affect our own traditions that have existed for over a century and have informed many social and cultural forms in Trinidad and Tobago.
This is a unique opportunity to interact with practitioners from around country, with a view to strengthening cultural and spiritual ties.
The morning session will include workshops in dance and drumming and a special panel to address questions that people have about Ifa/Orisa beliefs.
The afternoon session includes performances from Wasafoli, The Trinidad and Tobago Orisa Performing Arts Company and pannist Noel La Pierre.
The feature address will be delivered by Ifayemi Elebuibon, Araba of Osogbo, Osun State, Nigeria.
Special tribute will also be paid to Elders of the Orisa community both living and passed on.
The event is hosted by the Council of Orisha Elders in collaboration with the Afrikan Heritage Village Committee and Afrika House.
Entry is free of charge.
A couple of weeks ago I saw a tasteless attack on Hinduism expressing some vaguely articulated fundamentalist Christian desire to return Trinidad and Tobago to ‘God fearing ways’.
Forgetting of course that it was the church that Patrick Manning was building with his ‘Prophetess’ that was part of what hastened his being voted out.
This week they, whoever ‘they’ are took a turn behind African spirituality, aping the same divisive colonialist madness that was used to keep Indians and Africans afraid of each other since the first ship landed here in 1845.
The only reason anybody would put the Gods out of their thoughts, waste time and resources to make an ‘Obeah’ ad is because they/we remain mired by this Christian colonisation of our spiritual choices. We remain complicit in the contempt the society has for African spirituality and any other belief system that doesn’t subscribe to a Judaeo-Christian idea of who or what God is.
‘Obeah’ was used as a general term that lumped together all African spiritual practice and anything else that could be vaguely construed as a threat against colonial authorities.
The fact that many of the spiritual practices of Orisa and Hindu and Indigenous devotees have clear and evident similarities will never be highlighted in any political advertisement.
Go back and ask Iyalorisa Melvina Rodney why she had a big picture of Lord Shiva in her inner sanctum. Go back and ask Babalorisa Sam Phils how he knew so much Sanskrit. Go Enterprise and ask my Uncle Raviji why he invites Babalawos to his Mandir.
Hinduism and Orisa and Indigenous beliefs have and will continue to coexist here. Regardless of the racist and misinformed backwardness that gets peddled as political rhetoric.
Most PNM people also don’t know that the balisier has a wider meaning in the world of Orisa practice of the Caribbean.
Last year when I went to Cuba I found out that they call the balisier ‘Sword of Shango’. I saw the balisier flower all over the shrines of Santeria practitioners.
Shango was and continues to be a popular Orisa in Trinidad for a very specific reason.
Many of the Yoruba people who were brought here after Emancipation were from Oyo, where Shango was a 13th century King of that large and ancient Empire. It was because of that longstanding connection to Oyo that they used to call all Orisa devotees ‘Shango people’. Go up to the hundred year old Orisa shrine on Upper St. Francois Valley Road and you will hear songs about Ibadan to this day.
Y’all think Eric Williams didn’t know these things?
Read more about Shango from eminent Trinidad born scholar Maureen Warner-Lewis’ Trinidad Yoruba : From Mother Tongue to Memory.
If you need more information on Caribbean anti-obeah laws read this paper from Jerome Handler:
CLR James said in Black Jacobins ‘voodoo was the medium of conspiracy’. It was the Vodun ceremony held at Bwa Kayiman on August 14, 1791 that was the catalyst of the Haitian Revolution.
If it wasn’t for obeah, Vodun, secret societies, ancestral rituals, masking traditions, Ogun manifesting in the steel pan we would not have survived the Middle Passage or enslavement or colonialism or the continued attempts to deny us the fullness of who we are.
All of the born again Africans and Afro-Saxons waving their Swords of Shango, I ask you what the PNM is doing to protect you at the core of your spiritual beliefs?
This Saturday August 15 at 12 noon, please join us for a special performance in the Great Court at the British Museum, Great Russell Street London WC1B 3DG. As part of the Museum’s Celebrate Africa season and lead up to Notting Hill Carnival two Moko Jumbie sculptures by Trinidadian artist Zak Ové have been installed in the Great Court. This Saturday we celebrate this first commissioned work by a Caribbean artist with performances from Touch D Sky, featuring Stephanie Kanhai, reigning Trinidad and Tobago Carnival Queen. At 1pm and 2 pm join us in Room 25 for Tales of the Orisha; Myth, Legend and Lore with Storyteller Jan Blake and Master Drummer Crispin Robinson.
The Moko Jumbie is a key figure in the carnival and festival celebrations of the Caribbean. The moko jumbie is a dancer, healer and symbol of ancestral protection.
Spread the word and see you on Saturday!
“We come together to mend the crack in the sky” – Somali proverb
This Summer Numbi goes Global following on from our frolic with ‘Youth’ in 2014, this year we are exploring ‘Faith’. With Numbi Seed Events connecting metropolitan communities in London, Atlanta and Hargeisa.
As always and in true Numbi Spirit we have a line up of local, national and international artists and educators; the conversation is Global and the platforms made Local.
With events taking place throughout June, July and August 2015 we invite you to immerse yourself in film screenings, live music, exhibitions, workshops, readings and guided tours. #Findyourselfgetfree
NUMBI FESTIVAL LAUNCH
The event will kick-off with films selected specially for this evening in collaboration with Legacy Film UK, followed by a showcase of a formidable line up of NUMBI resident and guests including Elmi Ali, Dorothea Smartt Poetic Pilgrimage, Judy Solomon, Ubah Cristina Ali Farah , Rosamond S King, Hassoum Ceesay, DJ Tillah Willah, Jonathan Andre, Anna Lau, Yenenesh Nigusse, Kinsi Abdulleh and Charity Njoki Mwaniki and many more.
Friday 26th June
20:00 – 01:00
£10, £5 concs from Rich Mix box office
Other events to come…
Join us at New Unity in Newington Green for a day of connection, mapping, realignment and relaxation. A whole day event with live-food from 3MW Health; the Art of Centering and Grounding with Naila Natural Yoga; Soul expression & Integration circle, sound healing session with Judy Yodit Solomon & Hatha yoga with Dunya Ntinizi.
Saturday 27th June, 10:00 – 22:00
£10, £5 concs. per workshop
New Unity, 39A Newington Green, London N16 9PR
1:1 SOUND HEALING SESSION “THE SOUL EXPLORATION SESSION”
The Soul Expression & Integration Circle: helps people to discover and intuitively express the untapped potential that lies in our voice. It is recommended for anyone who wishes to enjoy deeper peace, greater freedom, and mastery of life.
Come and explore your voice and its healing power.
Advance booking essential
NUMBI KOHL CLASS
The Numbi Kohl Class is a gaze deconstruction workshop where we like to take more than one look. Author and SCARF guest editor Ubax Christina Ali Farah leads an exploration of the connections between the body, self-representation, beauty and faith. Using texts and images as discussion triggers she encourages participants to share and reflect back on experiences and anecdotes connected with the theme. Participants use notebooks to collect and share their voices with sketches, notes, stories and ideas: the notebook becomes an accumulator of ideas and emotions that releases its charge over time.
Sunday 28th June, 11:00
i’klectik Art-lab, ‘Old Paradise Yard’, 20 Carlisle Lane SE1 7LG
Festival pass £30 and full program available at the Numbi Festival Launch @ Rich Mix. Book now!
by Atillah Springer, the LAB and ZIFF
The notion of development is often a tricky concept to navigate. We have bartered with market women from Kingston to Accra and walked the hills of Haiti, denuded of mahogany forests to repay France, and know that entrepreneurship lives, but that wealth remains elusive for many in the Global South, and that a country may have untold natural wealth, quickly decimated and gone to enable another’s growth. By contrast, we have lived and worked in the major cities of the Global North, where there remains insufficient awareness that its comfort and development is built on a result of centuries of heavily asymmetrical systems. We observe vestiges of this past where inequalities persist among nations and discrimination and exclusion also manifests. Moreover, tens of years after decolonisation, the view of development still remains largely defined based on the likeness to the Global North.
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